THE CHARACTER YOU LOVE TO HATE IS RESURRECTED, IN ONE OF ART HISTORIES MOST CONTENTIOUS SAGA’S; TITLED, “Redemption: The Story Of The Crackhead Jesus Trials – Part II – The Second Coming Of The Three Muses.”© By Victor-Hugo Vaca II.
THE CHARACTER YOU LOVE TO HATE IS RESURRECTED, IN ONE OF ART HISTORIES MOST CONTENTIOUS SAGA’S; TITLED, “Redemption: The Story Of The Crackhead Jesus Trials – Part II – The Second Coming Of The Three Muses.”© By Victor-Hugo Vaca II.
TRUMP INAUGURATION PROTESTS AND WOMENS MARCH ON WASHINGTON GO GLOBAL INCLUDING SYDNEY VANCOUVER MIAMI ORLANDO LOS ANGELES NEW YORK AND ATLANTA HIGHLIGHTING PROPHETIC MODERN ART GONZO JOURNALISM BY VICTOR HUGO TITLED FISH WITH ATTITUDE A TRIBUTE TO NIGGAZ WIT ATTITUDE.
HAPPY EASTER Modern Art Gonzo Journalism Vintage Series Christmas Card Lampoons Santa Clause And Coca Cola As Plantation Capitalism Marketing Icons In A New World Order Consumed With Fake News Gender Fluid Millennials Voter Fraud And 9/11 Conspiracy Theorists.
ROCK LEGEND RICK DERRINGER INJECTS ROCK AND ROLL HOOCHIE KOO INTO MONUMENTAL MODERN ART MUSIC MOVEMENT ALL STAR MAMM JAM FEATURING MEMBERS OF AEROSMITH BOSTON STEELY DAN CHEAP TRICK THE DOOBIE BROTHERS BELLEVUE CADILLAC THE WAILERS JAMES BROWN BAND J GEILS BAND THE CARS JAMES MONTGOMERY AND THE MAVERICK ARTIST VICTOR HUGO VACA II.
HAITI MUSE EXAMINES THE CLINTON FOUNDATION CORRUPTION AND ITS IMPACT ON HURRICANE MATTHEW. How Secretary Of State Hillary Clinton Ignored Conflict Of Interest To Benefit From Tragedy.
ABSOLUTE SIGNATURE EXAMINES THE YOU KNOW IN ENGLISH VERNACULAR AND HOW THE LIVERMORE LIGHTBULB SHEDS LIGHT ON THE COMMON PHRASE SUBVERSIVELY USED BY WEAK NEWS MEDIA TO SUBLIMINALLY SHINE LIGHT ON HOW WELL THE PLAN TO DUMB DOWN AMERICANS IS WORKING. You know?
ART BASEL MIAMI BEACH SHOCK NIGHTCLUB UNDECIDED VOTER DONALD TRUMP HILLARY CLINTON EXPOSE PLUMMETING TRUST IN NEWSPAPERS AND GOVERNMENT
MODERN ART MUSIC MOVEMENT : The Fusion Of Art Music Film Fashion Literature & Education Fostering Peace Love & Compassionate Wealth Worldwide.
